This book has been out for a while, so I’ll save you all the recap of the story. Instead, I’ll share what I liked, what I didn’t like, etc.
-Tight 3rd person POV.
-A refreshing spin on a common theme (coming of age).
-Excellent use of secondary character arcs and subtext. I’d love to read a more about Art (Cath and Wren’s dad).
-Unique structure intertwines Cath’s fanfiction, fiction, and real life. At first I thought I could skip the parts that showcased the other stories because I’m not a Harry Potter fan, but they seemed to build off one another. I marvelled at what I envisioned Rowell’s writing process–actually writing several books at once with the same theme and struggles but set in different realms of space and time.
-Realistic portrayal of first relationships and new loves. Cath is a creature of habit and feels safest in a routine, but the whole of college and being separated from her twin sister could send her into a tizzy. Instead, she clings to her constant–Simon Snow fanfiction. Conversely, it is Wren who falls apart, becoming the poster child for teens behaving badly.
-Untraditional love interests. I figured out early on that Nick was the antagonist, just like I knew it was Hans from his very first lines in “Frozen.” Maybe I’m a pessimist, but I’m definitely NOT a romantic. I knew from the beginning that Levi was into Cath and that he and Reagan weren’t truly dating. The complexity and depth of their relationship was a bit of a surprise. I never really believed Reagan was the mega bitch she pretended to be. I liked her from the start.
-Rowell writes in a way that draws you in and makes you not want to leave.
-Too tight of a POV. There is very little time spent with other interesting characters. I am unfamiliar with depression, anxiety, and mood disorders, so when it is revealed that Art lives with these issues (Cath acknowledges her own struggles but Wren doesn’t) and how the girls have coped, I was deeply intrigued. Then to learn not that their mother passed away as I initially suspected, but that she left them when they were old enough to remember the good and bad of her, I was so angry for Art, Cath, and Wren. I wanted to follow that arc and not go into Cath falling for Levi. Their family dynamic was much more interesting to me.
-The use of the other stories was confusing for a little while, particularly once they became so tightly bound. **I usually turn on my phone’s screen reader to listen to books during my commute, so if there were any physical markers other than asterisks, my reader didn’t pick them up.** After a while, I didn’t see how Cath’s story could exist without the others.
-The ending. I see a trend with Rowell, and I’m not sure I like it. Her endings don’t fade, they are like a cymbal crash of a bombastic march, and then it’s over. As with “Eleanor & Park,” I was left wanting but not entirely unfulfilled, which is not unlike Gillian Flynn’s ending which fade as if transitioning to another movement, so the audience doesn’t know to applaud or not. What we’ve just experienced was brilliant, but is there more?
I liked this book for it’s refreshing take on life. It exposed me to a realm I’m unfamiliar with, offering a bit of an escape and opportunity to explore new worlds. I totally want to read some Simon Snow (but not Harry Potter). “Fangirl” feels much more deliberately YA than “Eleanor & Park,” perhaps it’s because the latter reflects my generation, and therefore more relatable.
What I liked best is that Cath is incredibly unsure of everything except a couple of points: Simon Snow and her family. She fiercely fights, in her own way, to hold on to her truths and not lose herself. It seems detrimental at first, but Cath is so much tougher than what she seems.
“Fangirl” is definitely worth recommending, particularly for those who are embarking on major life changes. Stay true to yourself.