Everybody Arcs! How to Use Emotional Growth to Propel the Story and Capture the Reader
I’ve heard people say some books (or genres) are plot-driven and others are character-driven. My POV? This is a fallacy. All good books are character-driven and plot is what makes that possible. Characters have to make us give a hoot about the plot. If we don’t like or empathize with the characters, we don’t care about their problems.
Conversely, plot is the delivery mechanism and crucible for character (even in literary fiction). Characters can only be as strong as the opposition they face. Weak problems=weak characters. In a nutshell, character and plot can’t be easily separated.
For instance, in the Pulitzer-Winning The Road, the plot is simple. Man and Boy must make it to the ocean. Yet, since this piece is literary, the plot goal is subordinate to character goal.
It is less important that Man and Boy make it to the ocean than how they make it to…
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