My Passion's Pen

Helping to polish what your passion pens.

Archive for the tag “rewriting”

Character development is mostly unseen

I spend a lot of my editing energy helping my clients refine their characters. And in my own writing I can never know too much about my characters. But readers don’t need (or want) everything about the inner and outer lives of our characters presented like a stenographer’s notes. It’s my belief that character is revealed through action on the page, but the motivation for that behavior is all off-screen. And motivation is the pulse of a story. That’s what keeps us turning the page.

We’ve all seen the iceberg analogy, and it’s one of the most universally true writing axioms: 80-90% of the story is behind the scenes and, in my opinion mostly embedded in characterization. Characters, though, are their own icebergs.

Image from Seopresspr.com

Screenwriting guru Scott Myers explains here: “Screenwriting Tip: Character Work as Iceberg.” https://link.medium.com/9ufJeoRdRS

Happy writing!

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“FLASH SALE: 50% Off ProWritingAid for the next 48 hours!”

I’ve been a causal user of ProWritingAid for quite a while and find the editor helpful. Although no editor (AI or human) is perfect, ProWritingAid’s suggested edits are parsed out by category so writers can focus on one element at a time. And that, in my opinion, makes edits less intimidating. They’ve made some updates to the program, but I haven’t played with most of the new features yet.

Now that school is back in session, why not grab a lifetime license. It’s a good investment even for causal users like myself. The linked article has a coupon code.

“FLASH SALE: 50% Off ProWritingAid for the next 48 hours!” @sandfarnia https://writingcooperative.com/flash-sale-50-off-prowritingaid-for-the-next-48-hours-b5dff403bf00

Self-editing: knowing how to listen to your gut

A great list to focus self-editing tasks.

Carly Watters, Literary Agent

Self-editing: are you only listening to your gut or are you hearing what it’s saying?

A big part of the writing process is self-editing.

Self-editing means different things to different people. I’m not talking about the little things like missing words and grammar right now, but the bigger issues like plot construction and characterization–the things that can have big holes, but are harder to fix. And harder to know how to fix.

Everyone says listen to your gut. But what I am talking about is the difference between listening to your gut and actually hearing what it’s saying.

Listening to your gut: a passing thought that something might not be working.

Hearing your gut: recognizing specific weaknesses, articulating them to yourself and others, and knowing how to fix them. 

Those residual feelings that your character might need to be stronger, and a bit larger than life or your plot might…

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How Much Back Story Should I Include

A writer asks how much back story is too much for a novel. Tips for knowing how much back story to include and where to put it.

via How Much Back Story Should I Include.

What Killed it For Me #5: Weak Writing

This entire series on Writers Helping Writers about what killed a book for Becca  is a rich education for writers (and critiquers). Writers can’t please every reader, and shouldn’t necessarily try, but we should always aim to provide the best, most memorable work we can. There will be plenty of readers out there who dig your style.

Speaking of style. This goes back to the basics: know the rules in order to break them. This post about weak writing first suggests that it’s subjective… Maybe, maybe not (goes back to learning the rules before breaking them). What I wholeheartedly agree with is that correcting weak writing is NOT an easy fix.

Weak and passive writing goes beyond the green squiggle in your doc that suggests you remove “was, am, being,” etc. In my experience, correcting weak writing requires rewrites. Whole sentences and paragraphs, even scenes need to be remastered to eliminate the offense. Sometimes it’s the author’s excessive use of their “go-to” words or phrases. Other times, overusing adverbs and adjectives, which makes for flowery prose that really does nothing to move the story forward are to blame. Or, the author is simply too verbose, using 17 words to convey something that could be said in six.

The linked article shares a handful of easy to remember tips that will help you to eventually banish these weak writing habits that weigh your stories down. When you get some time, check out Becca’s entire series.

What Killed it For Me #5: Weak Writing.

What Killed it For Me #5: Weak Writing

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